WITAYA JUNMA
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​The volume of the water

The volume of the water from witaya junma on Vimeo.


​Volume may not exist only for quantifying. Its value may lie on a strong intention of a man who planned to make his people lives better.

This project is inspired from a part of “The Rainmaking Story” written by His Majesty the late King Bhumibol Adulyadej which said, “At that time I looked up at the sky and saw that there were many clouds, but they were all blown pass the arid land. The solution lies on how to make those clouds fall as rain in the locality.” This was the beginning of Royal Rainmaking Project. A project dedicated for people who experienced a lack of water for consumption and agriculture caused by increasing drought. It took many years of planning and experimentation before the project succeed. Rain finally fell down much enough to be collected and kept in reservoirs, ready for people in the locality to draw off for use.



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​หนังสือ พระบิดาแห่งฝนหลวง (books)
http://www.royalrain.go.th/royalrain/uploads/ebook/books/index.html#/0
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ข้อมูลจากกรมฝนหลวงและการบินเกษตร (royalrain reports)
http://www.royalrain.go.th/royalrain/reports
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“The Volume of the Water” allows audience to control the brightness of the art piece by pouring water into the container. The data, the volume of rainwater collected in reservoirs in year 2015-2016 recorded by Department of Royal Rainmaking and Agricultural Aviation, is used to define the brightness. The more the water is poured, the brighter the art piece gets.
http://www.royalrain.go.th/royalrain/reports

The digits representing the volume of rainwater produced by Royal 
Rainmaking Project may not be just data. Those digits come from a vision of a man who looked up at the sky and did not just see the beauty of clouds, but saw a possibility to make use of them and help his people. Therefore, the volume of the water shown in this project may represent meaningful beauty that can be seen and experience.

exhibition
'EARTH- WATER- FOREST- AIR'
The Royal Inspiration
10 August – 12 November 2017
Main Gallery, 7th floor, Bangkok Art and Culture Thailand​

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  • Home
  • About
    • About TH
  • Awards
    • HONORARY MENTION OF PRIX ARS ELECTRONICA 2023
    • The Silver Award of the 25th ifva
    • The Next STEAM Special Prize 2019
  • Art Exhibitions
    • Rough Groove Rd.
    • Sound Moment
    • NORA Prachunrong
    • Ring of Abundance
    • Smog Season
    • Plastic Sea
    • Spirotrope
    • Cycle Lantern >
      • Cycle Lantern 2022
    • INTO THE WIND
    • Life/Time
    • Textile Story
    • The volume of the water
    • Pieces of Happiness
    • Pieces of Happiness: Athit Uthai
    • LAB/ART
    • TRAIN MACHINE
    • INTO THE WIND BUBBLE
    • INTO THE WIND COTTON
    • 8MM
    • NEW CONDITION
    • DIMENSION
    • SPIRITUAL MEDIA REACTION
    • LIGHT TIME
    • TIME
    • REAL UNREAL
  • DATA VISUALIZATION
    • Rough Groove Rd.
    • Smog Season
    • DEATH DATA
    • Plastic Sea
  • Persistence of vision
    • NORA Prachunrong
    • Cycle Lantern
    • Life/Time
    • Spirotrope
    • Smog Season
    • Textile Story
    • Pieces of Happiness
    • Ring of Abundance
  • Experiment
    • Analog Light
    • Mobile-Graffi
    • BASIC INTERACTIVE INSTALLATION
    • STREAM ENGINE
    • reverse grapfiti
    • LEAP+ARDUINO+LAMP
    • LIVE HOUSE
    • WATER LAMP
    • WIND UP TRAIN
    • FISHING TOY
  • News
    • ​Ars Electronica 2023
    • google
    • FILE Sao Paulo 2019
    • CreativeApplications.net
    • arduino
    • Lumen Prize Longlist
    • FINALIST IFVA 2020
    • THE CLOUD
    • a day
    • sarakadeelite
    • mediaambitiontokyo
    • YouFab 2019
    • YouFab 2018
    • TV_Asahi
    • vvvv
    • autoplay.co
    • hackster.io
    • Wallpaper*
    • Bangkok Post
    • Post Today
    • room magazine
    • BOTS
    • art4D
    • awe.curation
    • BangaorTV
    • zortrax
    • quoartis
    • 3dp.idarts
    • 3druck
    • DeScience
    • FINE ART
  • WITAYA X
    • LIFE IN SPACE
    • ROBOTS FACTORY
    • Moneylicious
  • Contact